Turn On the Bright Lights, an Album by Interpol. The songs are darker, more atmospheric, with ethereal soundscapes and a greater focus on Paul's vocals for a lot of the songs. The album provides a safe haven for feelings of hopelessness and despondency, while not sticking to any formal comfort zone. The band arrives, fully formed, in 2002 with a sweeping update on post-punk.
R ediscovering Interpol’s 2002 debut, Turn on the Bright Lights, is a stark reminder of the band’s disappointing trajectory over the past 10 years.Interpol started out as one of the more unique bands to come out of the Y2K post-punk revival. Interpol review – joyful look back at noughties New York rock 5 out of 5 stars. Find helpful customer reviews and review ratings for Turn On the Bright Lights at Amazon.com.
Turn On The Bright Lights begins with the nearly all-instrumental Untitled and takes off from there. Interpol Turn on the Bright Lights (Matador) The musical recycle from 25 years ago has finally made its way to the edge of the Eighties, from the southern Zeppelinism of … Some stars of the gear world have made a name for themselves by discerning a gap in the market and driving hard into it. As Interpol's shining moment, this LP has left a sizable legacy that deserves your time and attention.
When compared to the engineered perfection of Turn on the Bright Lights, it seems that at some point Interpol was tamed or reined in by somebody or something. This was obviously ripped/low quality audio they just pressed on vinyl to reissue. OLE 993-2; CD). For Robert Keeley, however, it was a love of audio electronics luring him toward the thing he was called to do – and finding he belonged there all along. These people go into every Interpol album wondering if this will be another "Turn on The Bright Lights", it isn't. Favorite Tracks: The knock against Interpol is one of diminishing returns. The sound of the album really matches the cover with this stellar and bright aesthetic, present through the whole album, making it a really cohesive experience. The 10th Anniversary Edition, comes in a super deluxe hardbound book package with 44 pages of photos, ephemera, and liner notes. Debut record Turn on the Bright Lights earned raves from both upstart web magazines. Some stars of the gear world have made a name for themselves by discerning a gap in the market and driving hard into it. For such a dark and brooding record, Turn on the Bright Lights is also unexpectedly thrilling, coasting on jagged minor-chord guitar melodies and huge emotional swells with a ton of high points along the way. The debut from Interpol is 50 minutes of consistently solid, sometimes fantastic, sometimes breathtaking genius work.
Released 11 December 2012 on Matador (catalog no. Genres: Post-Punk Revival. Turn On the Bright Lights is a modern classic.
However, throughout their debut Turn On the Bright Lights, there is a constant pulsating rhythm. Read honest and unbiased product reviews from our users. Interpol's debut album, Turn On the Bright Lights, is one of those mysteriously great albums that landed in precisely the right place at the right time: early-2000s New York City. On the other side of the spectrum, we have Interpol, who are truthfully closer to seminal goth-post punkers Joy Division than to Funkadelic and their ilk. It seems easy, today, to name standout albums of 20 years ago; but ones from just a decade past can be few and far between. But that's alright, because it isn't trying to be. Untitled is a great song that plays with … Includes 17 bonus tracks comprised of unreleased material and a DVD with all three music videos, plus live footage from May 2000 at the Mercury Lounge, New York, and September 2002 at the Troubadour, Los Angeles. "Turn On The Bright Lights" is a simple but effective post-punk/indie rock album.
... Have to turn volume way up to hear it and there’s no warmth or texture to the sound.
Turn on the Bright Lights, despite its dark backdrop, is a deeply sentimental experience.
Soon, Interpol found itself opening for bands like U2 and the Cure, exposing the music to an even wider audience. For Robert Keeley, however, it was a love of audio electronics luring him toward the thing he was called to do – and finding he belonged there all along.